...so...I bought a Virtual Jeff a few weeks ago after @mmmguitar had mentioned it a while back—thanks for introducing me to it, Marc! It's effectively a polyphonic pitch-bend pedal with a controller resembling a whammy bar that you double-sided tape to your guitar. I'm still getting used to it, but I did perform a gig with it the other night—you can skip to about 4:20 seconds in to hear the solo with the Virtual Jeff vibrato:
I have no affiliation with FomoFX. My personal opinion is that the Virtual Jeff is pretty cool and very useful in a live performance context. I set the vibrato upper and lower range on the pedal to a subtle setting—again, I'm still getting used to this. I still prefer the feel and response of a Fly with an actual mechanical vibrato system, but for a live performance, however, it's very nice to have this vibrato system, which I can toggle on and off and beat senseless as needed without having to worry about it ever going out of tune! Also, the detune rates of each string are compensated in the DSP, so it's more like a TransTrem—very cool! And it's got a virtual capo too, so I can step on a switch and drop my tuning down—we're going to work up "No More Tears", so I've been rehearsing with my Fly in drop C# standard—minimal artifacts and with distortion you can't even tell!
There were a bunch of Rush fans at this particular gig the other night (in that video, there's one that came up on stage next to me to say "Subdivisions"!), so—during the set—we decided to add the song "Between the Wheels", which uses a vibrato and is in drop D—I usually bring a second Fly that's already in drop D for that song specifically because detuning the low E to D means I have to re-stabilize the floating vibrato, which takes a little time...which we don't really have in this cover band. However, with the Virtual Jeff, since the vibrato is an effect that's not physically connected to my Fly in any way, I retained all of the tuning stability of my hardtail Fly, so I needed only to tune my low E down to D and I was ready to go whammy-ing to my heart's content (no video of that one, unfortunately)!
There’s a 3.5mm TRS cable included with the system to connect the vibrato to the pedal—there's also a wireless Bluetooth adapter, which I don’t feel comfortable using live. I made this snake from Redco, so I can connect my Fly and the vibrato in the same cable run—works great!
All in all—I'm a fan! I don't see the need to stop our Fly spring reproduction efforts ( ), but this is a unique tool for what it is and has unique features; I'm glad I own it, and don't see it coming off of my Fly any time soon
Fly Deluxe hardtail w/Virtual Jeff Vibrato Pedal/System
Re: Fly Deluxe hardtail w/Virtual Jeff Vibrato Pedal/System
Thanks for making time for a bit of show-and-tell, VJ. Your opinion of the unit carries a bit more weight in my mind than others I've seen.
I don't yet own one of these, due to understanding I'll still prefer a mechanical trem at the end of the day. So far, however, I've been telling myself that I'll get one to try out between my fretted and fretless basses. For me, the main appeal is the prospect of mounting it on the lower bout of the guitar; where the lever controller would be easier to manipulate while strumming or fretting with both hands:
Professional Youtube thumbnail creator Charles Berthoud demonstrates this to the minimal extent deemed necessary for front-loading the below grocery delivery service ad presented as a demo for an utterly unrelated product:
I find the mounting clever because it elegantly approximates what others (dating back to Chet Atkins, I believe) have tried to achieve with extra-long bars (extreme example below):
As soon as "Subdivisions" was mentioned, I knew which notes would be used to demonstrate the effect. Best of luck in incorporating it into other solos with memorable vibrato (tried it with Limelight, yet? ).
Summary of the Parker Guitars speculator market from 2020 onward: https://en.wikipedia.org/wiki/Greater_fool_theory